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VIVRE canvas accessories have been created for the bold style of those who love to use unique details to stand out. This clutch is made from 100% canvas with a light tan lining and inside zipper pocket. The surface design is a fully hand painted original work of art that will add an element of the avant-garde to your wall or your wardrobe.
To maintain integrity of surface design, proper care for VIVRE includes displaying or storing in temperatures between 50-90 degrees fahrenheit, and avoiding contact with direct, sunlight, heat, or moisture. Due to the use of acrylic paints items must always be partitioned to avoid bonding between painted surfaces.
Acrylic, Amanda Wilson, 2018
VIVRE canvas accessories have been created for the bold style of those who love to use unique details to stand out. This clutch is made from 100% canvas with a light tan lining and inside zipper pocket. The surface design is a fully hand painted original work of art that will add an element of the avant-garde to your wall or your wardrobe.
To maintain integrity of surface design, proper care for VIVRE includes displaying or storing in temperatures between 50-90 degrees fahrenheit, and avoiding contact with direct, sunlight, heat, or moisture. Due to the use of acrylic paints items must always be partitioned to avoid bonding between painted surfaces.
Acrylic, Amanda Wilson, 2018
VIVRE canvas accessories have been created for the bold style of those who love to use unique details to stand out. This clutch is made from 100% canvas with a light tan lining and inside zipper pocket. The surface design is a fully hand painted original work of art that will add an element of the avant-garde to your wall or your wardrobe.
To maintain integrity of surface design, proper care for VIVRE includes displaying or storing in temperatures between 50-90 degrees fahrenheit, and avoiding contact with direct, sunlight, heat, or moisture. Due to the use of acrylic paints items must always be partitioned to avoid bonding between painted surfaces.
Acrylic, Amanda Wilson, 2018